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Silence as Design: Acoustics in Modern Spaces

By Marta Bonadie - Taller 1339
Founder and CEO

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Marta Bonadie By Marta Bonadie | Founder and CEO - Wed, 02/25/2026 - 07:30

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At Taller 1339, our passion lies in creating environments that are not only visually striking but that also deeply resonate with the well-being and functionality of those who use them. When we think of a well-designed space, our minds usually evoke images: the light flooding a room, the texture of a material, the harmony of a color palette. But how often do we stop to listen to a space? Do we pay attention to its "soundscape"? In my experience, and I say this with conviction, acoustic comfort is the forgotten pillar, the silent hero that underpins the true quality of life in any environment, from our home to our office, to that restaurant where we try to have a conversation, or the hospital where we seek solace.

We live in a world saturated with stimuli, and noise is, unfortunately, one of the most omnipresent and underestimated, especially as open spaces for offices have become a trend in recent years. The constant ping of notifications, the incessant murmur of other people's conversations in an open-plan office, the echo of footsteps in a long corridor, the roar of traffic filtering through the window — all these sounds, though often consciously imperceptible, exert a profound influence on our mood, our ability to concentrate, and ultimately, our health.

Architecture and interior design have evolved enormously in terms of aesthetics and ergonomics, but they have often lagged in understanding how sound shapes our spatial experience. For us at our firm, "silence as design" does not mean the total absence of sound, but rather the deliberate creation of a controlled sound environment, where each type of noise has its place, or where the necessary quiet can thrive without being invaded. It is a manifestation of respect for the user and for the primary function of the space.

This vision, which at first glance might seem an eccentricity, is in reality an imperative need in modern society. Let's think of an office: How many times is concentration interrupted by the ring of a cellphone or a colleague's laughter? These interruptions not only reduce productivity but also generate stress and frustration.

An acoustically deficient work environment directly impacts employee well-being and, therefore, an organization's efficiency. The same applies to homes. A dwelling with poor acoustics can become a source of irritation: noisy neighbors, rumbling appliances, the echo of a television spreading throughout the house. How can we expect rest and serenity if our personal sanctuary is constantly bombarded by unwanted sounds?

The importance of acoustics extends far beyond mere comfort. It directly impacts our mental and physical health. Various studies have shown that prolonged exposure to noise can increase cortisol levels, the stress hormone, which in turn can lead to cardiovascular problems, sleep disorders, and a decrease in cognitive function.

In educational settings, a classroom with poor acoustics can hinder learning and comprehension, especially for children with special needs. In hospitals, excessive noise can impede patient recovery, affecting their sleep and increasing their anxiety.

As architects and interior designers, we must bear in mind that every project is an opportunity to address these challenges head-on, integrating acoustic design from the earliest phases, rather than considering it an afterthought.

How does this translate into practice? The key is not simply "soundproofing" in the sense of blocking all sound, but rather intelligently managing the soundscape. This involves a deep understanding of how sound propagates, how it interacts with surfaces, and how it can be absorbed, diffused, or reflected. From the selection of materials like thick carpets and textiles to absorb sound, perforated or sound-absorbing acoustic panels, and upholstered furniture that dampens reverberation, to spatial configuration, every design decision has an acoustic implication.

We can use movable or fixed partitions to create zones of silence or concentration, incorporate biophilic design elements, such as green walls or soft water features, which not only add beauty but also act as sound barriers or generators of natural "white noise" that masks intrusive sounds. Even the choice of exterior joinery and the type of glass in windows are crucial for mitigating external noise.

The integration of acoustic engineering with aesthetic design is where the magic truly happens. It's no longer about sacrificing beauty for functionality, or vice versa. Today, elegant and discreet solutions exist that blend harmoniously with the overall design, transforming the surface into an active acoustic tool without compromising the aesthetic vision. We think of ceilings and walls that not only define the space but also "listen" to it, absorbing and modulating sound to create an atmosphere of calm and clarity.

For me, the true art of interior design and architecture lies in the ability to create holistic experiences. Designing silence is designing peace, productivity, and connection. It is recognizing that in a noisy world, offering an oasis of calm is an act of profound consideration and a true luxury. It is giving people control over their sound environment, allowing them to concentrate when they need to, rest when they wish, and communicate effortlessly.

At Taller 1339, our mission is to raise awareness about this crucial aspect of design. We advocate for an approach where acoustics is not an afterthought, but an essential component from the initial conception of any project.

Silence, understood not as the total absence of noise but as the control and harmony of what is audible, is a powerful and transformative design tool. It is a gift we can offer to those who inhabit our buildings and live in our spaces. And it is, undoubtedly, one of the most significant contributions we can make to the quality of life in the modern age. Because in the end, a truly exceptional space not only looks good, not only feels good, but also sounds good.

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